Michael
Smerconish | THE FACE OF SEPT. 11, 2001
September
11, 2007
THERE ARE events in our
lives that will forever be entwined with the person who broke the news.
I doubt you can recall the
passing of a loved one without remembering who first told you. Any mention
JFK's assassination reminds me of an emotional Walter Cronkite informing the
nation of the passing of our 35th president. And few Philadelphians can think
of the Broad Street Bullies without hearing Gene Hart repeating, "The
Flyers have won the Stanley Cup!"
Today, as I have for each of
the last five anniversaries, I carry a mental image of Aaron Brown on 9/11. I
see him standing on a New York rooftop in brilliant sunshine against a
smoldering backdrop while providing an extemporaneous human dimension to the
death and destruction whose extent was then unknown.
I just rewatched much of his
work at YouTube. I wish all Americans would do likewise. It's the perfect,
unifying antidote to the partisan division that fighting the "war on
terror" has become.
Sobering. That's how I
regard his reports. Brown was always an intelligent journalist. But that day he
spoke with an added somber clarity. Typical was this observation after the
collapse of the World Trade Center's South Tower:
"There has just been a
huge explosion . . . we can see a billowing smoke rising . . . I'll tell you
that I can't see that second tower . . . but there was a cascade of sparks and
fire and now it looks almost like a mushroom cloud . . . about as frightening a
scene as you will ever see."
I've often wondered how
Brown himself regards his work that day, and what thoughts he might have now
that he is unbridled by the limitations of being a reporter. So I called him to
ask.
He'd just started at CNN at
the time of the attack, having been hired to create and manage a national
newscast and breaking news. Brown was driving to work when he heard radio
reports of an airplane hitting the North Tower. He said he assumed it was an
accident, but knew he'd be reporting what happened, regardless of the cause.
"I dropped the car
[off] . . . and was racing . . . to where the CNN building was and just
thought, 'Calm down. Whatever is about to unfold here, you need to be calm,'
" Brown said.
When I said I thought his
work that day stood apart from that of his "competitors," he was
quick to point out that on 9/11 no one was motivated by any thought of
competing. On another day, sure, but on 9/11, Brown said, there was an
unprecedented level of cooperation among those all trying to do the same thing.
But he recognized that his
broadcast had the advantage of being live from a rooftop in sight of Ground
Zero, instead of inside an antiseptic studio.
When I asked what he
remembered about that perch, he repeated what he'd once said to Peter Jennings:
"The thing that stays with me . . . is how I could smell it . . . We were
outside and could rarely see the monitor because of the sunlight. We could
smell the tragedy. I can still smell it in many ways."
I suspect Brown will never
fully shake 9/11. When I replayed audio of his words that day and asked for a
comment, his voice quaked as he told me that it was only the second time he'd
re-listened to his reporting. The first came in a class at Arizona State
University, where his students in a TV course asked to analyze his work. Brown
spent three classes reviewing an hour of his 9/11 coverage.
"And I thought I was
over the emotional power of it, but I'm clearly not. I suspect that 20 years
from now, if God is kind enough to keep me alive that long, I will hear that
tape and still have trouble putting together a complete sentence."
Brown recalls the events of
9/11 in three parts: the morning "all-hell-breaking-loose" phase, the
middle when "all of us, reporters and citizens," tried to figure out
exactly what had transpired that morning, and the end of the day, when the
president finally addressed the nation.
That night, Brown stayed in
a hotel. The following morning, he recalls the deathly silence that consumed
New York City, "as if saying something would have been disrespectful to
the 2,500 people or so who died."
Today, just like the rest of
us, Aaron Brown tries to make sense of what he reported, and we watched unfold.
He thinks we continue to lack a "civil national conversation" about
how to deal with this tragedy. "We have been angry, and we should have
been, and there were things that needed to be done," he says.
"But we can't kill all
of these people, we can't even come close. And so we need other strategies, smarter
strategies, more thoughtful strategies, or my kid is going to have this
conversation with your kid."
Which makes sense to me. And if we don't follow that script, then no doubt a future Aaron Brown will be standing on another rooftop offering somber descriptions of another smoldering building. *
Listen to
Michael Smerconish weekdays 5:30-9 a.m. on the Big Talker, 1210/AM. Read him
Sundays in the Inquirer. Contact him via the Web at http://www.mastalk.com